To build this painting I've begun with a working sketch on paper from a figurative reference. This drawing is about three foot square executed in vine charcoal. What is most interesting to me about this composition is it's classic pyramidal shape composed of three simple forms, leaning in on each other. As it reads here, this image could make a worthwhile painting, but I've come to a point where I want to say more, to explore painting to a fuller extent. With this painting I hope to combine the random structural patterns of nature I've been looking at with figural forms.
I've prepared a canvas, four foot square. I hand stretch my canvases using cotton duck or linen (this canvas is cotton duck), I use a canvas puller and copper tacks, not staples. I'm very interested in the surface texture of my painting. Seeing the texture of the canvas through a thin layer of paint for me, is disappointing. I brush on at least three heavy layers of acrylic gesso, I do not sand the surface between layers because I want to build up the texture.
This is the first day of work on this project. As this project progresses, I will document each days work. I would like to encourage comments from those who follow along...
Paint well!
Hi Paul,
ReplyDeleteAs part of my job, I'm always explaining an artist's process to visitors - so they can better appreciate the methods, labor and choices that are part of creating a work of art. I'm going to enjoy following along and seeing your work evolve in front of my eyes. (I confess I never gave much thought to squaring stretchers with a door frame, so I'm learning too.) - Vicki Donkersley
Hey Paul what a great idea... I can't wait to see the progress of your masterpieces :0)
ReplyDeleteTake care
Roland Vasquez (NYC)
You write very well, Paul! Keep kicking ass! How 'bout it?! lol
ReplyDelete